Ensemble

Why Theatre Matters To Us: Holly Robison

Ghostlight is sharing our personal stories of why theatre is so important to us and, in turn, to others. We hope you'll feel inspired to support the arts now and forever more.

Holly Robison, Co-Artistic Director, Ensemble Member

Holly Robison, second from left, at a production meeting for Ghostlight's 2016 festival of new works, "Six Authors in Search of a Character."

Holly Robison, second from left, at a production meeting for Ghostlight's 2016 festival of new works, "Six Authors in Search of a Character."

"When I was in the second grade, I played a bunny who choked on a cookie.  I remember that I prepared. We didn't have to memorize our lines, but I was the only kid who did. While it seemed all that was expected was to step forward and read our lines, I thought about how to create the moment, how to choke on the cookie — how to bite the cookie like a rabbit would, the timing of the bite, when to say my line, when to start coughing, etc. I was a painfully shy kid and usually went out of my way to avoid attention  — to avoid talking to people at all, really  — but, man, was I into creating that character. All that scary stuff went away because I had to be a bunny, and I had a cookie to choke on, darn it. I loved it. (OK, full disclosure: repeated teacher-sanctioned cookie consumption may have contributed to my 8-year old joy. But really, that is still part of the joy — those silly, fun, crazy things you get to do and learn as actor. ) 

"Even though it was many, many years before I fully realized and embraced that part of myself, I know now that this was probably the first sign that I was a 'theatre person' at my core. It's my first memory of a love for performance, for crating a character, for telling a story."

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Why Theatre Matters To Us: Miona Lee

Ghostlight is sharing our personal stories of why theatre is so important to us and, in turn, to others. We hope you'll feel inspired to support the arts now and forever more.

Miona Lee, Literary Manager, Ensemble Member

Miona Lee, center, in Ghostlight's 2017 production of "Six Characters in Search of an Author."

Miona Lee, center, in Ghostlight's 2017 production of "Six Characters in Search of an Author."

"I’ve always struggled with allowing people to know the real me. Call it social anxiety, call it trust issues stemming from childhood, whatever. That fact is, I’m not comfortable around people and don’t share much of myself with others.

"I could tell you a cute story of how when I was in fifth grade I played a Marilyn Monroe version of Mrs. Claus complete with feather boa and caught the theater bug. But really, I found performing was the perfect escape from myself. I found slipping into someone else’s skin liberating. I didn’t have to bare my soul to others.

"Through the years I’ve played my fair share of Queens, fairies, villains, misguided actresses, sisters, wives, girlfriends and the occasional warrior. Each time, I burrowed into these characters to find out what it is they might be hiding from others. Sharing these flawed characters to an audience has allowed me to open up more in my own life. It’s OK that I’m flawed, there are people out there that will accept me no matter what.

"For me, theater is much more than telling important stories that remind us we’re all connected. It’s my way of slowly learning to accept myself and trust that others will do the same. "

http://ghostlightensemble.com/get-funding-fundraiser

Why Theatre Matters To Us: Michael Wagman

Ghostlight is sharing our personal stories of why theatre is so important to us and, in turn, to others. We hope you'll feel inspired to support the arts now and forever more.

Michael Wagman, Co-Artistic Director, Ensemble Member

Michael Wagman, center, in Ghostlight's 2016 production of "Krampus!"

Michael Wagman, center, in Ghostlight's 2016 production of "Krampus!"

"All throughout my childhood I was the shy kid in the corner. I just assumed most people didn’t care what I thought or how I felt. In the broad scheme of grade school life I simply didn’t matter. My greatest joys came when I was by myself. Reading a book, watching a movie or working on a project. The greatest validation I found was from the joy I got doing these often lonely activities. Getting into my early and mid-teens I began a string of artistic endeavors. First it was tap dancing, then poetry, then short story writing, songwriting and oil painting (my parents’ favorite). All the while from seventh to ninth grade I also played on the golf team, but the validation I got from these activities never gave me a sense of community. I still didn’t fit in. I enjoyed the activities but rarely did I feel a close bond with the people.

"Then in eighth grade, on a total whim, I auditioned for and got cast in my school’s middle school/high school production of Pippin. After that I acted in the middle school production of Joseph and the Amazing Technicolor Dreamcoat. I had a great time doing both and according to parents, teachers and students alike I seemed to be pretty good at it.

"In ninth grade my golf game hit a slump and I was demoted to caddy duty until my game picked back up. Even though I wasn’t the biggest fan of all my teammates, I loved playing the game and was frustrated beyond measure that outlet was being taken away from me. Then one day at morning assembly Mrs. Haulmark, the theatre director, announced that someone had dropped out of the production of Dracula and they needed a replacement. She said if anyone was interested they should speak to her.

"The stars seemed to have aligned. I’d had fun doing theatre the previous year and I’d liked Mrs. Haulmark and all the actors and techies. As an eighth-grader in Pippin I’d gotten to work with freshman and seniors alike, and our ages had never seemed to matter. We were all treated with respect as long as we did our part to make the production the best we could. And most importantly I had fun.  Instead of doing my art behind closed doors there was something freeing and intimate about sharing my interpretation of a character in front of people onstage. 

"All my life I’d been hiding from people, assuming what I thought and felt didn’t matter. In theatre I could be onstage and what I thought and felt could be the only thing that mattered. If I did it well, what I thought and felt could keep an audience at the edge of their seats. I could feel important."

https://www.ghostlightensemble.com/get-funding-fundraiser

Why Theatre Matters To Us: Keith Gatchel

Ghostlight is sharing our personal stories of why theatre is so important to us and, in turn, to others. We hope you'll feel inspired to support the arts now and forever more.

Keith Gatchel, Technical Director, Ensemble Member

Keith Gatchel working the booth for Ghostlight's 2017 production of Gingerbread Grindhouse.

Keith Gatchel working the booth for Ghostlight's 2017 production of Gingerbread Grindhouse.

"'What is it that you do?' my childhood friend asked me a few months into Freshman year of high school. My dad had moved my brother and me to a new, separate school, and this was one of the few chances we had to hang out anymore.

"Everyone had asked me that since the year started, to see what I was going to do to make friends. I had not put much thought into this. I wasn't an introverted child, but I liked my alone time.

"People suggested theatre to me, because I've always had an active imagination. But, it always seemed like it was (I thought) too girly and that I would (I thought) get made fun of.

"But on TV I always liked shots of the control booth, and they were always punching buttons. So, one day, I showed up to my high school scene shop after school, around 3:20 p.m. A little after 4 p.m., I left. The next day, the same. After a few more times, I stopped showing up – all that set- building was hard work.

"The fall play came and went. My dad and I saw it and walked out at intermission. High school theatre, on average, tends not to impress. But, still, they all seemed to be having a lot of fun. Where else do you get to dress up, be silly, and fulfill an elective. But, it seemed too late to go back. They'd remember me quitting. Everyone had already made their friends and wouldn't take any more (I thought).

"Christmas break came and went.

"I don't remember why I was in the cafeteria several hours after school, but one of the guys from the scene shop and I started making small talk. He suggested that I come help with the show, moving sets. It was all I needed to get back in.

"I spent that weekend, then weekday evenings, in tech rehearsal and then the following weekend working the show. I felt accepted there, even though I didn't know anyone.

"That weekend ended last, but I wanted more.

"The next day I showed up back to the scene shop, and, as I'm sure you can predict: I skipped out after an hour. The next day, the same. By the next day, the scene shop teacher finally called me out: 'Keith, if you're going to do something, do it.'

"I thought to myself at that moment, 'What if this is the thing I don't quit? What if I just kept doing this until I can't anymore?'

"That moment will be 20 years ago in January. I haven't quit yet.

"I've asked myself often since if the only reason I've stayed in theatre is because of my dumb, stubborn, self. That's partially true. But, theatre distracts you while you socialize. It gives you a project two of you can work together on while you get to know each other. You forget your weird awkward self and relax, with a community that's made for putting yourself out there. You build friendships while you build a show.

"Three and half years later, I was off to college, ready to start on my BFA in technical theatre. I didn't worry about making friends at that point. I just waited for classes to start."

http://ghostlightensemble.com/get-funding-fundraiser