Job Posting: Stage Manager needed for Angry Fags

Ghostlight Ensemble is seeking a Stage Manager for its fall production of Angry Fags by Topher Payne.

An out lesbian state senator is up for re-election. Her female opponent is a moderate conservative who has aligned herself with right-wing extremists. They’re locked in a tight race in which each side caters to its base and any event can become instantaneously politicized.

When a gay man is bashed with a baseball bat and left to die, his ex-boyfriend, a campaign aide for the incumbent senator, is enraged. But his boss’s unwillingness to label it a hate crime tips him over the edge. Frustration and fear eventually turn to rage and he teams up with his best friend to embark on a vendetta of sabotage and more, reasoning that if gays aren’t respected enough to win justice, fear will achieve what good intentions and politics cannot.

Stage Manager will attend all rehearsals and performances. Rehearsals in September/October 2025. In general, expect three to four rehearsals per week on weeknights or weekend days, to be scheduled according to cast availability.

Production Schedule:

  • Rehearsals in September and October 2025 on weeknights and/or weekend days

  • Tech week: Sunday, November 2 in the afternoon and Monday, November 3 through Thursday, November 6 in the evenings

  • Performances: Show will run Thursday, Friday, and Saturday evenings and Sunday afternoon matinees from Thursday, November 6 through Sunday, November 23, 2025.

  • Strike: Sunday, November 23, 2025.

Instructions to Apply: To be considered, please send resume and portfolio/website link to via Google Forms at this link.

Pay Rate: $400 stipend

Job Posting: Production Team Positions for Angry Fags

Ghostlight Ensemble is seeking several production team roles for its fall production of Angry Fags by Topher Payne. Please review the following.

PLAY SUMMARY
An out lesbian state senator is up for re-election. Her female opponent is a moderate conservative who has aligned herself with right-wing extremists. They’re locked in a tight race in which each side caters to its base and any event can become instantaneously politicized.

When a gay man is bashed with a baseball bat and left to die, his ex-boyfriend, a campaign aide for the incumbent senator, is enraged. But his boss’s unwillingness to label it a hate crime tips him over the edge. Frustration and fear eventually turn to rage and he teams up with his best friend to embark on a vendetta of sabotage and more, reasoning that if gays aren’t respected enough to win justice, fear will achieve what good intentions and politics cannot.

KEY DATES
Production team members will be available for virtual production meetings, in-person designer run, tech week, strike, and wardrobe fittings in September-October. Dates confirmed according to cast and production team availability.

PRODUCTION SCHEDULE

  • Rehearsals in September and October 2025 on weeknights and/or weekend days

  • Tech week: Sunday, November 2 in the afternoon and Monday, November 3 through Thursday, November 6 in the evenings

  • Performances: Show will run Thursday, Friday, and Saturday evenings and Sunday afternoon matinees from Thursday, November 6 through Sunday, November 23, 2025

  • Strike: Sunday, November 23, 2025

POSITIONS

1. Costumer
Will dress 7 actors and 2 understudies in modern dress.

Pay Rate/Range: $300 stipend

2. Sound Designer
Pay Rate/Range: $300 stipend

3. Lighting Designer
Lighting Designer will have access to the rep lighting plot for Lifeline Theatre.

Pay Rate/Range: $300 stipend

4. Projection Designer
Pay Rate/Range: $300 stipend

5. Fight & Intimacy Choreographer
Will be responsible for choreographing a brief moment of intimacy and multiple scenes of stage violence including the use of a stage firearm.

Additional Key Dates: Fight & Intimacy Choreographer will be available for anticipated 3-4 rehearsals. Dates confirmed according to cast and production team availability.

Pay Rate/Range: $150 stipend

6. Scenic & Prop
Pay Rate/Range: $300 stipend

Instructions to Apply: To be considered, please send resume and portfolio/website link via Google Forms at this link. (Select the position you’d like to apply for on the form)

‘Love As A Verb’: Ghostlight Kicks Off its Season Celebrating Otherness with Pride Fundraiser

Ghostlight Ensemble announces its Season 9 lineup, which includes the fall production of Angry Fags by Topher Payne, in a season that will focus on celebrating otherness and uplifting Queer characters and voices.

“The climate we find ourselves in right now demands action. We cannot be passive in our support or love for communities that find themselves at risk. We, as a theatre company, are in the unique position with our art to center community building,” Co-Artistic Director Justin Broom said.

“From the people we work with, to the stories we tell and the audiences we build, we can be hubs of resource sharing, networking and education that not only brings people together but keeps our community safe.”

 The 2025-2026 season will feature two mainstage productions, a play for young audiences, staged readings, a three-part cabaret experience and ongoing collaborations with Chicago area museums. All productions center around love and relationships with an emphasis on queer characters and themes.

“As a queer theatre artist, I think it would be irresponsible of me to not do everything in my power to meet this moment in a way that uplifts, not just our ensemble and audiences, but the community as a whole,” Broom said. “While we need to raise funds for our company to create quality entertainment, there are so many LGBTQ+ organizations that also need our attention and funds right now – particularly those serving our Trans siblings who are especially at risk.”

To meet that need, Ghostlight is also announcing its Love As A Verb fundraising campaign to support our most ambitious season to date and also raise money for two Chicago area LGBTQ+ organizations.

The fundraiser is live with a base goal to raise $5,000 by November. Donations from the fundraiser will go toward artist stipends and production costs with a portion of the proceeds going to local Chicago charities Brave Space Alliance and Gerber Hart Library & Archives.

Brave Space Alliance is a Black, trans-led center on Chicago’s South Side that creates and provides dignified essential services, develops programs and initiatives for individuals and families, co-creates community spaces of care and connection and conducts advocacy on issues that directly impact LGBTQ+ and Black communities.

Gerber Hart Library & Archives collects, preserves and provides access to the history and culture of LGBTQ+ communities in Chicago and the Midwest in order to advance the larger goal of achieving justice and equality.

Those interested in supporting the campaign can make a tax deductible donation to Ghostlight Ensemble here. Upon conclusion of the fundraiser, Ghostlight will publish the receipts of donations to other organizations.

Love As A Verb is inspired by a passage from All About Love by bell hooks: “The word ‘love’ is most often defined as a noun, yet all the more astute theorists of love acknowledge that we would all love better if we used it as a verb.”

“This is a thrilling season from Ghostlight, with bold and compelling artistic programming that includes full-length productions, theatre for young audiences, immersive performance and cabaret,” Co-Artistic Director Holly Robison said. “Now, more than ever, art is essential, and I hope our season will challenge, inspire, move and comfort our audiences. Art at its best can do all these things and more. I hope our audiences will feel that way too, that our work truly echoes our season’s theme ‘Love is a Verb’.”

Ghostlight will present its first full production, Angry Fags written by Topher Payne and directed by Jack Bowes, in November at Lifeline Theatre in Rogers Park.

An out lesbian state senator is up for re-election. Her female opponent is a moderate conservative who has aligned herself with right-wing extremists. They’re locked in a tight race in which each side caters to its base and any event can become instantaneously politicized. When a gay man is bashed with a baseball bat and left to die, his ex-boyfriend, a campaign aide for the incumbent senator, is enraged. But his boss’s unwillingness to label it a hate crime tips him over the edge. Frustration and fear eventually turn to rage and he teams up with his best friend to embark on a vendetta of sabotage and more, reasoning that if gays aren’t respected enough to win justice, fear will achieve what good intentions and politics cannot.

Angry Fags asks how far is too far to protect your community? Where is the line between helping and making things worse?

The production runs November 6-23, 2025, at Lifeline Theatre (6912 N Glenwood Ave, Chicago, IL, 60626).

In mid-December, Ghostlight and the Driehaus Museum are excited to announce the return of Holiday Spirits: A Collection of Victorian Yuletide Ghost Stories, a multi-story and multi-storied immersive, site-specific adaptation of classic Victorian ghost stories at the museum. In its second year, the production will expand from one night to three – one for Driehaus museum members and two for the general public. Be prepared to move through the mansion with the actors as they uncover these otherworldly visitors.

In February, our Nightlight young audience series returns with The 8th Dwarf. The new work by Olivia Sieck tells the story of Binky, an outsider dwarf who, inspired by the kindness and motherly affection of Snow White, longs to find the courage to join the most special of their kind – the dwarves that get to work in the mines. The play shows that courage, kindness and wit matter more than anything and actions mean more than material goods.

Ghostlight will close out its season in the spring of 2026 with The Dover Road by A.A. Milne (of Winnie-the-Pooh fame), directed by Co-Artistic Director Holly Robison. The Dover Road is set in the home of the eccentric Latimer, who waylays couples who are running away together and gives them a taste of what their lives together might be like by forcing them into sustained exposure to each other's habits and idiosyncrasies. The 1921 comedy is a not-so-subtle dissection of romantic love, but buried beneath is a less obvious commentary on the homosexuality, bisexuality and gender nonconformity that has always existed in society if you knew where to look.

In addition, Ghostlight will produce Ensemble Member Khnemu Menu-Ra’s, 3 Stages of Love, this season. The semi-autobiographical three-part cabaret experience features a blend of Shakespeare and song – along with original pieces. The company also plans a staged reading of Lady Lazarus, a new play in development by Ghostlight collaborator Haley Basil, and Ghostlight will continue its popular Live Movie Reading Series periodically throughout the season, as well as the For Your (Re)Consideration staged reading series, which explores the works of historically overlooked female writers.

Read about 'Drink the Past Dry' in the Chicago Tribune

Alex Albrecht, from left, Khnemu Menu-Ra and Valerie Cambron rehearse a scene in the Ghostlight Ensemble production “Drink the Past Dry,” a site-specific piece performed at Mrs. Murphy & Sons Irish Bistro, April 9, 2025, in Chicago. (Armando L. Sanchez/Chicago Tribune)

Ghostlight’s upcoming production, Drink the Past Dry, was featured in the Chicago Tribune’s Theatre Loop.

Director Maria Burnham and actors Khnemu Menu-Ra and Katharine Jordan spoke with reporter Emily McClanathan about the show, which opens on Friday, May 2 (with a preview performance this weekend at 3 p.m. on Sunday, April 27.

Read all about the show and the work behind it here.

Six years ago, the in-house pub at Chicago Shakespeare Theater moonlighted as a performance space for a touring production of Roddy Doyle’s “Two Pints” by Ireland’s Abbey Theatre. Audience members — who sat at the pub’s tables with drinks in hand — spent a couple of hours eavesdropping on two longtime friends at the bar, their conversations meandering between the mundane and the profound.

This spring, the upstairs bar at Mrs. Murphy & Sons Irish Bistro in Chicago’s North Center neighborhood will similarly transform into a theater venue for “Drink the Past Dry” by Ghostlight Ensemble, a local company with a penchant for site-specific productions. Written and directed by Maria Burnham, this world premiere puts a science fiction twist on the otherwise familiar setting of a Chicago bar: at this watering hole, if you sit on the right stool and order a particular drink, you can travel in time.

Announcing details, cast for new site-specific work, 'Drink the Past Dry'

The cast of Drink the Past Dry. Top Row from left: Alex Albrecht, Abbie Brenner, Valerie Cambron, Catherine Councell. Second row: Stephen Dunn, Katharine Jordan, Khnemu Menu-Ra, Dianne Wawrzyniak. Bottom row: Understudies: Dani Brady, Shantelle Rose Robbel, Sandra Samargis, Olivia Sieck.

Ghostlight is pleased to announce the cast and production team of our spring production, the world premiere of a new work by Ensemble Member Maria Burnham, Drink the Past Dry.

This original piece of site-specific theatre is set in a nondescript neighborhood bar in the middle of Chicago that looks like every other bar in every other neighborhood in the city. But this bar has a secret. It can take you anywhere in time…but only once and only within the walls of the bar, so it turns out not to be as popular a place as one might think.

The stories told in this play include a young adult searching for a lost family recipe, a street fair attendee looking for an old friend and a woman facing a life and death decision. Traveling to the past is never simple and each finds more than they bargained for.

Drink the Past Dry is about the connections we have to the past and how sometimes to move forward, we have to go back.

“I’ve always been interested in how science fiction somehow allows us to more deeply explore our humanity and our past as well as our future,” Burnham said. “Though these stories are wrapped in the sci-fi staple of time travel, this play is really about human connections to ourselves, to the people we love, to the family histories we thought we knew. It’s very much about what it means to be a human being right now.”

The cast of Drink the Past Dry is: Ensemble Member Khnemu Menu-Ra as the Bartender, Alex Albrecht as the Regular, Katharine Jordan as Mica, Catherine Councell as Jamie, Dianne Wawrzyniak as Memaw, Valerie Cambron as Chris, Abbie Brenner as Bethany and Stephen Dunn as Dad. Understudies include Dani Brady, Shantelle Rose Robbel, Sandra Samargis and Olivia Sieck.

In addition to writing, Burnham also directs. The stage manager on this production is Shreya Khanna; the costume designer is Rin Menge; and the producer is Chad Wise.

Drink the Past Dry was imagined as a site-specific piece of theater and takes place in the upstairs bar at Mrs. Murphy & Sons Irish Bistro (3905 N Lincoln Ave, Chicago, IL 60613) on Fridays & Sundays and select Thursdays & Saturdays from May 2 to June 1, 2025. A preview performance is scheduled on Sunday, April 27. The show takes place at 7:30 p.m. on Thursdays, Fridays & Saturdays and 3 p.m. on Sundays.

Tickets are on sale now and are pay-what-you-will, with an average donation of $25. Audience members who are financially able to donate more help offset the cost for those who can’t afford to give. A preview performance is scheduled for Sunday, April 27. Suggested donation for that performance is $10. 

Drink the Past Dry is part of Ghostlight’s season on time. Season 8 celebrates a symphony of creativity that resonates across cultures and time, reminding us that art is a universal language that binds us all.

More information about Drink the Past Dry can be found at www.ghostlightensemble.com/drink-the-past-dry.

Ghostlight Ensemble acknowledges support from the Illinois Arts Council Agency.

See what's on tap for Happy Hour in March

Join us for a theatre happy hour where short plays by local and national playwrights are what’s on tap! On Tuesday, March 18, Ghostlight presents a staged reading of eight plays with one thing in common — they’re all set in bars.

Happy Hour: A Staged Reading of Short Plays Set in Bars will take place, naturally, in a bar. My Buddy’s is opening up on a Tuesday just for us. The show starts at 7 p.m.

The eight stories include tales of new loves, old loves, connections new and old, grief, joy and craft beer.

Selected scripts include:

  • The Last Pub in Burtonsville, NY by DC Cathro. Late Christmas Eve at a shut-down bar, two people come to say goodbye to the business in very different ways. An unconventional Christmas tale. Directed by Alexis Vaselopulos.

  • PS I Love You, Gerard Butler by Scott Carter Cooper. A funny story of grief and the impact Hollywood has on the process. Directed by Zoe Sjogerman.

  • Mind the Gap by Rishi Chowdhary. A group of people find commonalities as they mind the generational gap at a bar one evening.  Directed by Maria Burnham.

  • Swiping Right by Bruce Karp. Two friends, a gay man and a straight woman, feeling old and invisible, lament their frustrated love lives in a gay bar...on Wet Underwear Night. Directed by Justin Broom.

  • The Grape Nerds Reunion by Alli Hartley-Kong. Mike and Alyssa are connected by a past he can’t remember. When they meet at a high school reunion, Alyssa confides in Mike her mental health history — and he realizes the impact an encounter from a decade ago could have. Directed by Khnemu Menu-Ra.

  • LOL by Annie Hogan. Gus and Eleanor have a budding online relationship and have decided to take the leap to an in-person meeting.  Gus, afraid of disappointing Eleanor, brings Aiden, a digital communication liaison, to their date.  The couple explores what it means to connect in person versus online. Directed by Sean Harklerode.

  • Jury Selection by Karissa Murrell Myers. Jesse is in Florida, defending one of the most hated men in America. When his ex, Raina, surprises him with a job offer in Chicago, will he take it? Based on the real-life events surrounding the trial of Parkland shooter Nikolas Cruz. Directed by Kaeli Meno.

  • Beer Culture by James Nelson. Two craft beer connoisseurs have their evening ruined by a guy with terrible taste. Directed by John Gleason Teske.

Stage Manager needed for Drink the Past Dry

Ghostlight Ensemble is seeking a Stage Manager for its March production of Drink the Past Dry written and directed by Ensemble Member Maria Burnham. Drink the Past Dry is a vignette-style, site-specific production set in a nondescript neighborhood bar in the middle of Chicago. It looks like every other bar in every other neighborhood in the city with a few regulars sipping drinks, making small talk, doing the things people always do in bars. But this bar has a secret. It can take you anywhere in time, but only once and only within the walls of the bar (so it turns out it’s not as popular a place as one might think). But there are some souls who still need to reach out to the past – or to the future – and this is where they come when they do.

Job Details:
The Stage Manager will attend all rehearsals and performances.

The Stage Manager will provide practical and organizational support to the director, actors and designers throughout the production process. They will also be the director's representative during performances, making sure that the production runs smoothly. While Ghostlight will have a company representative at each performance to manage the house, the Stage Manager will be responsible for the production elements of the performance.

Stage Manager will work side-by-side with the director during rehearsals, recording decisions about blocking and notes for the actors, keeping track of logistical and scheduling details and communicating what goes on in rehearsals to the rest of the team.

Key Dates:
Rehearsals will be 3-4 times/week on weeknight evenings and/or weekend days in April 2025. Final dates will be confirmed after review of cast conflicts.

Tech: Thursday, April 24 and rehearsals on Friday, April 25 in the evenings and Saturday, April 26 during the day.

Preview: Sunday, April 27 at 3 p.m.

Performances: 

  • Friday & Saturday, May 2 &3

  • Friday & Sunday, May 9 & 11

  • Friday & Sunday, May 16 & 18

  • Friday, Saturday & Sunday, May 23, 24 & 25

  • Thursday & Friday, May 29 & 30

  • Sunday, June 1

Thursday, May 29 is a designated understudy performance. There will be a put-in rehearsal for the understudies on May 27 or May 28, depending on availability. 

Performance take place at 7:30 p.m. on Thursday, Fridays and Saturdays and 3 p.m. on Sundays. The performance will take place upstairs at Mrs. Murphy and Sons (3905 N Lincoln Ave, Chicago, IL 60613)

Instructions to Apply:
To be considered, please send resume to Maria Burnham maria@ghostlightensemble.com

Pay Rate/Range:
$350 stipend

Auditions announced for Drink the Past Dry

Ghostlight Ensemble is seeking actors for its May production of Drink the Past Dry, a vignette-style, site-specific production set in a nondescript neighborhood bar in the middle of Chicago. It looks like every other bar in every other neighborhood in the city with a few regulars sipping drinks, making small talk, doing the things people always do in bars. But this bar has a secret. It can take you anywhere in time, but only once and only within the walls of the bar (so it turns out it’s not as popular a place as one might think). But there are some souls who still need to reach out to the past – or to the future – and this is where they come when they do.

Character Type:
Ghostlight will be casting for 8 actors. Roles range in age and are not restricted to gender. We are seeking a strong, ethnically diverse cast of all shapes and sizes that represent the culturally rich fabric of Chicago. In addition, we are ideally seeking an older Greek-American actor to play a mother who has just been diagnosed with dementia. A few actors will play multiple roles. We are also seeking understudies for three roles. There will be a guaranteed understudy performance.

Time Commitment:
Rehearsals will be 3-4 times/week on weeknight evenings and/or weekend days in April 2025. Final dates will be confirmed after review of cast conflicts.

Cast members and understudies MUST be available the following dates:

  • Tech: Thursday, April 24 and rehearsals on Friday, April 25 in the evenings and Saturday, April 26 during the day. 

  • Preview: Sunday, April 27 at 3 p.m.

  • Performances:  

    • Friday & Saturday, May 2 & 3

    • Friday & Sunday, May 9 & 11

    • Friday & Sunday, May 16 & 18

    • Friday, Saturday & Sunday, May 23, 24 & 25

    • Thursday & Friday, May 29 & 30

    • Sunday, June 1

Thursday May 29 is a designated understudy performance. There will be a put-in rehearsal for the understudies on May 27 or May 28, depending on actor availability.

Performance take place at 7:30 p.m. on Thursday, Fridays and Saturdays and 3 p.m. on Sundays. The performance will take place upstairs at Mrs. Murphy and Sons (3905 N Lincoln Ave, Chicago, IL 60613). Call for preview and performance will be an hour before showtime.

Pay:
Actors and understudies will receive a $100 stipend for rehearsals, tech and preview, plus $25 per performance stipend.

Audition Time & Location:
Auditions will be held at the Lincoln Square Presbyterian Church Community Space at 4635 N. Rockwell St, Chicago, IL 60625. (Across and a few buildings down the street from the Rockwell Brown Line Station.)

Auditions will take place from 6:30 to 9:30 p.m. on Wednesday, March 19. Callbacks will be held from 1:30 to 3:30 p.m. on Saturday, March 22.

Materials To Prepare:
Please submit your headshot and resume to Maria Burnham at casting@ghostlightensemble.com. Please clearly indicate if you have any conflicts during indicated audition times on March 19 or callbacks on March 22.  Sides will be provided.

Contact:
Maria Burnham
Email: casting@ghostlightensemble.com

G.E.T. ready for the soundtrack of our lives…live

In February, Ghostlight shakes up its live movie reading series with Ghostlight's Gone to the Movies: A live singing of our favorite movie soundtrack songs.

Ensemble members and guest artists sing their favorite songs from movie soundtracks (or Broadway shows) and our MCs will share a little movie trivia about each. You’re invited to join in the fun afterwards with your own karaoke version of YOUR favorite movie song.

It all begins at 7 p.m. on Thursday, February 20 at Black Eagle Club.  

Read more about it here.

The invasion begins this weekend: Our young audiences show opens on Saturday

Invaders of Mathmatica begins its four performance run this Saturday, February 8, at 2 p.m. This original play featuring art, math, space travel, princesses and a less than truthful ruling council is written for young audiences, but can be enjoyed by kids of all ages.

On the planet of Mathmatica, math and science are revered above all else, but their culture has advanced without artistic expression and with a fear of outsiders. The planet has shut itself off from other worlds, figuratively and literally.

But when three outsiders crash on the surface bringing with them music, art and dance, the princess of Mathmatica begins to question the logic of their isolationist tendencies and the history she’s always been taught.

Invaders of Mathmatica runs over two weekends: February 8-9 and February 15-16 at the Bughouse Theater in the NorthCenter neighborhood of Chicago. All performances begin at 2 p.m., but the doors will open early so our attendees can help us design the show’s set each performance. G.E.T. ready to dream up what the world of Mathmatica might look like.

The cast is Kendal Romero as Princess V, Peter G. Leondedis, as King Algebra, D'Angelo Smith as Digit, Sasha Vulovic as Sway, Sam Campos as Hue and Gabriella Smurawa as Aria. Sarah Beth Johnson and Julia Namm are the understudies.

General admission tickets for adults are $20; general admission tickets for students and children is $10. The show takes place during Chicago Theatre Week — an annual celebration of the rich tradition of theatre-going in Chicago. As such, there are a limited number of discounted Theatre Week tickets remaining with the code CTW25 at checkout.

Call for Scripts: Seeking short plays set in bars for readings

Ghostlight Ensemble is seeking short scripts (under 30 minutes) for a staged reading series at Black Eagle Club. The only requirement is that the scripts are set at a bar.

This is open to playwrights in any geographic area, though writers in the greater Chicago area will receive priority. There is no payment for selection, but there is also no fee to submit.

Selected plays will be presented in a series of staged readings during the spring of 2025 as part of our revamped series of live events at Black Eagle.

Pieces can be previously produced and playwrights may submit more than one play.

Electronic submissions only, please. Please submit a brief synopsis of script in the body of your email, along with contact information, and attach a copy of the full script to Maria Burnham at scripts@ghostlightensemble.com. Please use the following format in the email’s subject line: Bar Project Script Submission: [play name] - [playwright name]

The deadline for submissions is March 2, 2025.

Up Next: A Live Reading of Armageddon

Ghostlight Ensemble rings in a new year of live events with the next installment of its ongoing live movie reading series: Houston, you have a problem: A live reading of Armageddon.

Join us at 7 p.m. on Thursday, January 30, at Black Eagle Club (1938 W. Irving Park Rd., Chicago, IL 60613), as we all just try to survive the impending end of the world…

Armageddon is a 1998 American science fiction disaster film produced and directed by Michael Bay that follows a misfit team of deep-core drillers hand-picked by NASA to save Earth from an extinction-level asteroid hit. Using some questionable science, movie NASA devises a plan to drill a deep hole into the asteroid, into which they will insert and detonate a nuclear bomb to destroy it.

And stick around after the reading is done because you don’t want to miss Backstage Boogie Karaoke. Come together with the cast of Houston, You Have a Problem as we belt out our favorite Aerosmith tunes. (Non-Aerosmith song choices, also allowed.)

There is a suggested donation of $5 at the door.

Ghostlight welcomes new member to its Ensemble

Actor and KJ extraordinaire Khnemu Menu-Ra has joined Ghostlight Ensemble.

Originally from Oklahoma City, Menu-Ra was most recently seen in Ghostlight Ensemble’s Holiday Spirits at the Driehaus Museum and as Joshua Moore in Alabama Story. In addition to his work on stage, he is also known around town as “Dr. K” — his karaoke emcee persona. Catch him at The Old Plank in Logan Square every other Thursday (starting January 2), and at The Double Tavern in Logan Square on Saturday nights.

To learn more about Menu-Ra, and all our Ensemble members on the About Us: The Ensemble page of our website.

Ghostlight Ensemble Announces Cast, Production Team For Invaders Of Mathmatica

The cast of Invaders of Mathmatica. Top row from left: Sam Campos, Sarah Beth Johnson, Peter Leondedis and Julia Namm. Bottom row from left: Kendal Romero, D'Angelo Smith, Gabriella Smurawa and Sasha Vulovic

Ghostlight Ensemble is pleased to announce the cast and production team of Invaders of Mathmatica written by Ensemble Member Nick Conrad – the company’s first full production for young audiences since 2019.

The new work is set on the planet of Mathmatica where math and science are revered above all else and their technology far exceeds those of the other worlds in their solar system. But their culture has advanced without artistic expression and with a fear of outsiders. The planet has shut itself off from other worlds, figuratively and literally.

When three outsiders crash on the surface bringing with them music, art and dance, the princess of Mathmatica begins to question the logic of their isolationist tendencies and the history she’s always been taught.

“I am excited to see what this exceptionally talented cast and production crew will create,” said playwright and co-director Nick Conrad. “It is my hope that the subtext of this play motivates our audience to realize that we can learn a lot from people who are different than us. When we drop our ‘shields’ and work together we can accomplish anything.”

The cast of Invaders of Mathmatica is Kendal Romero as Princess V, Peter Leondedis as King Algebra, D'Angelo Smith as Digit, Sasha Vulovic as Sway, Sam Campos as Hue and Gabriella Smurawa as Aria. Sarah Beth Johnson and Julia Namm are the understudies.

Conrad and fellow Ensemble Member Maria Burnham direct. Esau Andaleon is the stage manager; Ashley E. Benson is the costumer and Ensemble Member Chad Wise is the production manager.

The company has been producing a short play festival for young audiences since 2020, but this is its first full production in its Nightlight series in five years.

“We’re excited to bring our mission of asking questions that challenge the status quo through timeless stories, immersive environments and unconventional staging back to our youngest audience members,” Burnham said. “Mathmatica falls in line with our desire to tell compelling stories for children that do not talk down to them but help make sense of the world around them while still making theatre fun for them.”

Nightlight is Ghostlight’s young audiences series with original, adapted and forgotten plays geared toward children and the adults who love them. Ghostlight believes theatre can be a beacon for children, letting them know they aren’t alone in the world, giving them a sense of security and revealing the truth that in stories they can be anything they want to be. You’re never too young – or too old – for a nightlight.

Invaders of Mathmatica is part of Ghostlight’s season focused on time. Season 8 celebrates a symphony of creativity that resonates across cultures and time, reminding us that art is a universal language that binds us all.

Invaders of Mathmatica runs over two weekends in February 8-9 and February 15-16 at 2 p.m. at the Bughouse Theater in the NorthCenter neighborhood of Chicago. General admission tickets for adults are $20; general admission tickets for students and children is $10. The show takes place during Chicago Theatre Week.

Chicago Theatre Week is an annual celebration of the rich tradition of theatre-going in Chicago. As a program of the League of Chicago Theatres, in partnership with Choose Chicago, CTW is in its 13th year and will take place February 6 – 16th. Find more information at ChicagoTheatreWeek.com.

More information about Invaders of Mathmatica can be found at www.ghostlightensemble.com/invaders-of-mathmatica.

Ghostlight Ensemble acknowledges support from the Illinois Arts Council Agency.

Theatre Week 2025 coming in February

Ghostlight Ensemble is proud to be participating in Chicago Theatre Week February 6 – 16 with Invaders of Mathmatica, our young audiences production.

Tickets will be on sale soon for our show!

Chicago Theatre Week is an annual celebration of the rich tradition of theatre-going in Chicago. As a program of the League of Chicago Theatres, in partnership with Choose Chicago, CTW is in its 13th year and will take place February 6 – 16th. Find more information at ChicagoTheatreWeek.com.

Stage Manager and Costumer needed for Invaders of Mathmatica

Ghostlight Ensemble is seeking a Stage Manager and a Costumer for its February production of Invaders of Mathmatica by Ensemble Member Nick Conrad. Invaders of Mathmatica is part of our Nightlight young audiences series, which produces original, adapted and forgotten plays geared toward children and the adults who love them. The play tells the story of the planet of Mathmatica where math and science are revered above all else. But their culture has advanced without artistic expression and with a fear of outsiders. The planet has shut itself off from other worlds, figurative and literally. But when three outsiders crash on the surface bringing with them music, art and dance, the princess of Mathmatica begins to question the logic of their isolationist tendencies and the history she’s always been taught.

Job Details:
The Stage Manger will attend all rehearsals and performances.

The Costumer will dress 6 actors (with three actors portraying 2 characters each) and 2 understudies. For our young audience productions we aim for our costume design to be inspired by the type of costumes a child might put together for themselves were they designing a robot or princess outfit. So, costumes do not necessarily need to be complex, but must be functional. We ask that the Costumer be available for virtual production meetings, in-person designer run, tech week and wardrobe fittings in January/February. Dates confirmed according to cast and production team availability.

Key Dates:
Production Schedule: Rehearsals in January 2025. 3-4 rehearsals/week on weeknights or weekend days, to be scheduled according to cast availability.

Tech: Saturday, February 1, 2025, 11 a.m. to 2 p.m. with additional rehearsals during the week of Feb. 3-7 in the evenings.

Performances: Saturday and Sunday at 2 p.m. Feb. 8-9 and Feb. 15-16, 2025, at Bughouse Theatre in the NorthCenter neighborhood of Chicago (1910 W Irving Park Rd, Chicago, IL 60613).

Instructions to Apply:
To be considered, please send resume to Maria Burnham maria@ghostlightensemble.com

Pay Rate/Range:
$250 stipend for each job.

Auditions announced for Invaders of Mathmatica

Ghostlight Ensemble is casting for its February production of Invaders of Mathmatica by Ensemble Member Nick Conrad. Invaders of Mathmatica is part of our Nightlight young audiences series, which produces original, adapted and forgotten plays geared toward children and the adults who love them. The play tells the story of the planet of Mathmatica where math and science are revered above all else. But their culture has advanced without artistic expression and with a fear of outsiders. The planet has shut itself off from other worlds, figurative and literally. But when three outsiders crash on the surface bringing with them music, art and dance, the princess of Mathmatica begins to question the logic of their isolationist tendencies and the history she’s always been taught.

Please note: We will also be casting for a workshop staged reading of Drink the Past Dry with an invited audience. More information on that is available here. Please indicate in your submission if you are interested in being considered for this project as well.

Character Type:
Ghostlight will be casting for the following roles and for two understudies to split coverage of roles. Casting for the following:

King Algebra of Mathmatica: A fair and kind ruler. He trusts The Prime Council even though he doesn’t always agree with them. He loves his Daughter and his people, but is torn between her wishes and what he believes is best for his people.

Princess V: Happy, energetic longs for adventure. V wants to know what life on other planets is like. She is smart, a quick study and always looking to the sky. She only has one friend Digit, a robotic caretaker.  

Digit: The Robotic friend and assistant to V.

Sway: from Dancetopia- Comes from a culture that uses dance and body movement as their primary artistic expression. Moves fluidly and gracefully like a ballerina.  This actor also plays Vector.

Hue: from Artopolis- hails from a world that celebrates all types of art. Always drawing and painting on everything. Always getting in trouble.  This actor also plays Factor.

Aria: from Vo-cal- The planet of Vo-cal celebrates singing in all forms Mostly speaks in singsong. Sings when nervous. This actor also plays Ratio.

Vector: Leader of the Prime Council knows the secrets of Mathmatica but conceals it from everyone to remain in power. Fears outsiders and is terrified of losing power and influence.

Factor: Always falls in line with Vector. Backs up everything they say and do.

Ratio: The religious leader of the planet. Prays in Pi. “Let us Pray 3.14-159-265-3589”

Time Commitment:
Rehearsals will be 3-4 times/week on weeknight evenings and/or weekend days in January 2025. Final dates will be confirmed after review of cast conflicts.

Cast members and understudies MUST be available the following dates:

Tech: Saturday, February 1, 2025, 11 a.m. to 2 p.m. and rehearsals during the week of Feb. 3-7 in the evenings.

Performances: Saturday and Sunday at 2 p.m. Feb. 8-9 and Feb. 15-16, 2025, at Bughouse Theatre in the NorthCenter neighborhood of Chicago (1910 W Irving Park Rd, Chicago, IL 60613).

Materials To Prepare:
Please submit your headshot and resume to Jean Mueller-Burr, Casting Director, at casting@ghostlightensemble.com. Please clearly indicate if you have any conflicts during indicated audition times on Dec 14 & Dec. 15. Please also indicate if you’d like to be considered for the staged reading of Drink the Past Dry.

Sides will be provided.

Pay:
Cast & Understudies: $100 rehearsal stipend + $25 per performance. In addition, performers will receive one comp ticket to a performance of their choosing.

Audition Time & Location:
General: Saturday, Dec. 14: 10:30 to 1:30 p.m. at City Lit Theater (1020 W Bryn Mawr Ave, Chicago, IL 60660)

Callbacks: Sunday, Dec. 15: 3 p.m. to 6 p.m. at City Lit Theater.

Contact:
Jean Mueller-Burr
Email: casting@ghostlightensemble.com