Power of believing in one’s self takes center stage for theatre festival for young audiences

An ant who wishes to explore the world beyond her family’s territory, a grandmother and granddaughter superhero duo and a helpful house spirit are among the cast of characters found in the fourth installment of Ghostlight Ensemble’s Make/Believe short play festival for young audiences this year.

 Ghostlight is excited to feature five new plays for young audience members to enjoy this summer with their family and friends, said festival producer Caryn Brieschke. For the first time more than half the plays are by local playwrights.

 “These stories are fun for children to watch, but are also crucial to helping them understand the increasingly complex feelings they develop as they grow older and providing them with tools to deal with complicated situations they may find themselves in,” Brieschke added.

 Filled with the power of believing in yourself, new adventures and family bonds, the five stories that make up this year’s festival are filled with characters who face the types of struggles modern children will recognize from their own lives. 

 This year’s plays include:

 ·                The Thing That Comes to the Basement is written by Chicago playwright Lori Taylor and directed by Lo Williams. In The Thing That Comes to the Basement, Camilla Antie, an 8-year-old ant, discovers that just because someone looks different than you, does not mean they are frightening or that they cannot become your friend. Starring: Sydney Ray, Toma Lynn Smith and Hannah Strauss.

·                Hannah and Halmoni Save the World! is written by Chicago playwright Juliet Kang Huneke and is directed by Karina Patel. By day, Hannah is a 7-year-old girl who lives with her Korean American grandma. But by night, grandma transforms into a SUPERHERO named Halmoni (that’s the Korean word for grandma, if you were wondering)! But when it’s Hannah’s turn to be the hero, not the sidekick, can she step up and save the day? Hannah and Halmoni Save the World champions asking for help, self-forgiveness and super awesome theme songs for the young AND old among us. Starring: Rick Hilscher, Kristen Lin Waagner and Emily Zhang.

·                The Edge of Play is written by Utah playwright Janine Sobeck Knighton and directed by Eileen Tull. The Edge of Play tells the story of Ada, an imaginative 8-year-old girl who loves slides but gets really nervous around other kids. With help from her unique friend Mo, she learns that it’s OK to need a little extra help and support to do the things that scare you the most. Starring: Christine Marie and Kaela Rosenbaum.

·                Finding Belief is written by Portland playwright Kwik Jones and directed by Kate Sullivan Coombs. Even with encouragement from her father, Ivy, a young girl discouraged by her tennis match losses, lives in a world of doubt – that is until Dunlop, her tennis racket, comes to life and ushers her on a short journey to rescue her Belief from the evil tennis ball, Doubt. Ivy must find courage to save Belief. With the help of the audience will Ivy find and save Belief? Starring: Alexis Aranda, Josh Bomba, Nick Conrad and Rissa Montañez.

·                Guardian of the House (Τόπακας) is written by Chicago playwright and Ghostlight Ensemble Member Maria Burnham and directed by Whitney Minarik. A young girl, tired of all the new chores she has to do since her little sister arrived, learns the value of family and sticking together from the genii of her house. Steeped in Greek folklore, Guardian of the House will feature traditional Hellenic storytelling and puppetry. Starring Rose Leisner and Gina Sanfillipo.

Make/Believe is scheduled to take place on Saturday, May 27; Sunday, May 28; Saturday, June 3 and Sunday, June 4, at 1:30 p.m. at NorthCenter Town Square (4100 N. Damen Ave., Chicago).

All five plays will be produced on each day of the festival at the NorthCenter Town Square – an outdoor space in the heart of the NorthCenter neighborhood. Audience members are encouraged to bring their own chairs and picnics. The show is free, but donations are always appreciated. However, some limited reserve seating is available via Eventbrite.

Make/Believe is produced by Caryn Brieschke and is made possible, in part, by a grant from the Illinois Arts Council Agency and by support from the NorthCenter Chamber of Commerce. More information will be available on our website at www.ghostlightensemble.com/make-believe-2023.

Make/Believe is part of Ghostlight’s Nightlight young audience series, which features original, adapted and forgotten plays geared toward children and the adults who love them. Ghostlight believes theatre can be a beacon for children, letting them know they aren’t alone in the world, giving them a sense of security and revealing the truth that in stories they can be anything they want to be. You’re never too young – or too old – for a nightlight.

Ghostlight Ensemble is a registered 501(c)3 nonprofit theatre whose mission it is to ask questions that challenge the status quo through timeless stories, immersive environments and unconventional staging. As an ensemble-based theatre, Ghostlight is made up of individual artists who are dedicated to collaborative creation and committed to working together consistently over years to develop a distinctive body of work. We welcome you to learn more about us at GhostlightEnsemble.com.

Announcing the plays of Make/Believe 2023!

An ant who wishes to explore the world beyond her family’s territory, a grandmother and granddaughter superhero duo and a helpful house spirit are among the cast of characters found in the fourth installment of Ghostlight Ensemble’s Make/Believe short play festival for young audiences this year.

Ghostlight is excited to feature five new plays for young audience members to enjoy this summer with their family and friends, said festival producer Caryn Brieschke. For the first time more than half the plays are by local playwrights.

“These stories are fun for children to watch, but are also crucial to helping them understand the increasingly complex feelings they develop as they grow older and providing them with tools to deal with complicated situations they may find themselves in,” Brieschke added.

Filled with the power of believing in yourself, new adventures and family bonds, the five stories that make up this year’s festival are filled with characters who face the types of struggles modern children will recognize from their own lives. 

This year’s plays include:

• The Thing That Comes to the Basement by Chicago playwright Lori Taylor, whose work will be familiar to past Make/Believe audiences, as she’s been a part of all our previous festivals. In The Thing That Comes to the Basement, Camilla Antie, an 8-year-old ant, discovers that just because someone looks different than you, does not mean they are frightening or that they cannot become your friend.

• Hannah and Halmoni Save the World! by Chicago playwright Juliet Kang Huneke. By day, Hannah is a 7-year-old girl who lives with her Korean American grandma. But by night, grandma transforms into a SUPERHERO named Halmoni (that’s the Korean word for grandma, if you were wondering)! But when it’s Hannah’s turn to be the hero, not the sidekick, can she step up and save the day? Hannah and Halmoni Save the World champions asking for help, self-forgiveness and super awesome theme songs for the young AND old among us.

• The Edge of Play by Provo, Utah, playwright Janine Sobeck Knighton. The Edge of Play tells the story of Ada, an imaginative 8-year-old girl who loves slides but gets really nervous around other kids. With help from her unique friend Mo, she learns that it’s OK to need a little extra help and support to do the things that scare you the most.

• Finding Belief by Portland playwright Kwik Jones. Even with encouragement from her father, Ivy, a young girl discouraged by her tennis match losses, lives in a world of doubt – that is until Dunlop, her tennis racket, comes to life and ushers her on a short journey to rescue her Belief from the evil tennis ball, Doubt. Ivy must find courage to save Belief. With the help of the audience will Ivy find and save Belief?

• Guardian of the House (Τόπακας) by Chicago playwright and Ghostlight Ensemble Member Maria Burnham. A young girl, tired of all the new chores she has to do since her little sister arrived, learns the value of family and sticking together from the genii of her house. Steeped in Greek folklore, Guardian of the House will feature traditional Hellenic storytelling and puppetry.

Make/Believe is scheduled to take place on Saturday, May 27; Sunday, May 28; Saturday, June 3 and Sunday, June 4, at 1:30 p.m. at NorthCenter Town Square (4100 N. Damen Ave., Chicago).

All five plays will be produced on each day of the festival at the NorthCenter Town Square – an outdoor space in the heart of the NorthCenter neighborhood. Some seating will be available, but audience members are encouraged to bring their own chairs and picnics. The show is free, but donations are always appreciated.

Make/Believe is produced by Caryn Brieschke and is made possible, in part, by a grant from the Illinois Arts Council Agency and by support from the NorthCenter Chamber of Commerce.

Make/Believe is part of Ghostlight’s Nightlight young audience series, which features original, adapted and forgotten plays geared toward children and the adults who love them.

More information will be available on the Make/Believe show page.

Ghostlight is a finalists for Best of Chicago 2020!

Ghostlight is honored and excited to once again be nominated in two categories for the Reader's Best of Chicago 2020: Best established theater company and Best off-Loop theater company.

In addition, our children’s short play festival Make/Believe is nominated for Best Performing Arts Festival and our Holiday Cabernet is nominated for Best Digital Content (theatre).

We'd love if our supporters would follow this link to vote for us. Our categories are under the Arts & Culture tab. And you can ask your friends and family to do so as well, as there are no restrictions on voting.

Please note: You don’t have to fill out all the categories if you’re only interested in voting for a few of them. The deadline to vote is noon on Monday, February 8.

While you're voting for us, please also consider these Ghostlight affiliated folks:

• Ensemble Member Norman J. Burt is nominated for Best Stage Performer.

• Ensemble Member Maria Burnham is nominated again this year for Best Playwright.

• Ensemble Member Holly Robison is nominated for Best Director.

• Our friend and frequent collaborator Coco Sho-Nell is nominated for Best Drag Performer. (Coco recently hosted our Holiday Cabernet.)

We appreciate the continued support of the community and we’re so thrilled to be a finalist for Best of Chicago.

The power of imagination takes center stage in Ghostlight’s festival of new works for young audiences

Cereal royalty, a monster that eats words, the source of all black girl magic, a unique bird that tastes bad. Welcome to Make/Believe, a theatre festival that challenges its young – and young at heart – audiences to throw out the way things have always been done and indulge their imagination.

The production features a mix of short plays by local and out-of-state playwrights that were written for audiences 12 and under, but which are also meant to be enjoyed by all ages.

“Make/Believe is an expansion of our Nightlight young audiences series, which has always sought to tell compelling stories for children that do not talk down to them, but help make sense of the world around them while also letting them know that it is still OK to play,” said Maria Burnham, Ghostlight’s co-artistic director.  

The eight stories that make up this year’s Make/Believe festival are filled with young women who turn convention on its head. From the young heroines in Epic Tales from the Land of Melanin who reclaim their own stories – and the power that comes along with them – to that classic victim of folklore, Little Red Riding Hood, who decides a feminist fairy tale is more her style, the heroines of these plays face the types of figurative monsters modern children will recognize from their own lives.

Selected scripts include:

• Asherella, by Chicago playwright Lori Taylor, is a take on Cinderella where the heroines are African-American females and the person rescued is a young white male. Asher lives at home with his cruel stepmother and cruel stepbrothers. With the help of The One, an African-American magical being who is the source of all black girl magic, Asher is able to escape his cruel family and live in the castle with the ruler of the queendom. Asherella is directed by Laila Rodriques.

• In Ava’s First Escape Room, by Chicago playwright Kim Z. Dale, Ava, Jack and Gus are locked together in an escape room as an optional add on to a school field trip. The strange thing about this escape room is there is nothing in it: No puzzles or clues to solve. To make matters worse, Ava and the boys are not friends. As the boys loudly and ineffectually try to bust out of the room, Ava gets tired of dealing with them, and takes matters into her own hands. Ava’s First Escape Room is directed by Jill Olson Stuck.

• Based on histories of real-life women of color and non-Eurocentric fairytales, Epic Tales from the Land of Melanin tells a hilarious, imaginative adventure tale of three girl warrior-explorers taking on the world. Along the journey, our fierce young heroes must attempt to reclaim the power that was stolen from them and their people. Epic Tales From the Land of Melanin was originally devised by Chicago artists Guadalís Del Carmen, Mariana Green, Brandi Lee, Maya Mackrandilal, Enid Muñoz, Alyssa Vera Ramos, Deanalís Resto, Ana Velazquez and Teresa Zoríc with FEMelanin; and is directed by Deanalís Resto.

• Little Red Reboot, by New York playwright Sonya Sobieski, is a modern mash-up of the Little Red Riding Hood and Goldilocks tales, in which two rebellious females we think we already know break the rules of storytelling and theatre to get to a happy ending. Little Red Reboot is directed by Kristin Schoenback.

• The Queen of Cocoa Puffs and the Cap’n Crunch King, by Brooklyn playwright Corey Pajka, is the story of what happens when a pair of sovereign siblings sit down for breakfast with two hearty appetites and one cereal box between them. A battle cry is heard across the kingdom of New Brunswick. There will be blood—and perhaps orange juice. The Queen of Cocoa Puffs and the Cap’n Crunch King is directed by John Gleason Teske.

• Scaredy Friends is the story of a small girl and a monster that eats her words when she screams. But it turns out the monster isn’t evil — like the little girl, it is scared. This discovery, told through words and physical theatre, changes the course of their relationship forever. Scaredy Friends is written and directed by Chicago performing artist Carolyn Minor.

• Snow White, Who Is Also Called Becky, No Rebecca...and the Frog Prince, by Oak Park-based playwrights Jack Helbig and Margaret Helbig, is the story of a father and a daughter who collaborate on the writing of an original fairy tale. Unfortunately, they have different ideas of what makes a good fairy tale. Fortunately, they keep writing. Snow White, Who Is Also Called Becky, No Rebecca...and the Frog Prince is directed by Lizzy May.

• Stinky Bird, by Los Angeles playwright Seth Freeman, is the story of a young bird who is forced to come to terms with her unique and challenging background. Stinky Bird is directed by Jackie Bowes.

All eight plays will be produced on both days of the festival. The festival is curated by Ghostlight Ensemble Co-Artistic Director Maria Burnham.

Ghostlight put out a call for scripts for young audiences that featured strong female characters and collected submissions from around the world during the fall of 2019. Over 350 short plays were submitted. Final selections were made in late November.

The festival was crafted to appeal to all ages and its weekend run is perfect for families looking for live, daytime entertainment during a time of year when family-friendly activities are not as plentiful. Make/Believe takes place Saturday, February 22 and Sunday, February 23, 2020, at 2 p.m. at Laugh Out Loud Theater Chicago in the North Center neighborhood (3851 N. Lincoln Ave.). Tickets are on sale now via Brown Paper Tickets: $15 adults, $5 children 12 and under, or $25 family of four.

Nightlight is Ghostlight’s young audience series with original, adapted and forgotten plays geared toward children and the adults who love them. Ghostlight believes theatre can be a beacon for children, letting them know they aren’t alone in the world, giving them a sense of security and revealing the truth that in stories they can be anything they want to be. You’re never too young – or too old – for a nightlight.

Best of Chicago awards announced

The Chicago Reader has announced its Best of Chicago 2019: ARTS & CULTURE winners and Ghostlight was awarded runner up for Best Off Loop company.

This is an amazing honor, especially considering we are only three years old, there are over 200 theatre companies in the Chicago area and from all those choices, Chicago readers voted us second only to the storied Steppenwolf Theatre — a company that was founded in 1974, has a multi-million dollar budget, owns its own theater complex and regularly sends plays on to Broadway.

Thank you to everyone who voted for us.

We're also thrilled to announced that our Co-Artistic Director Maria Burnham was named Best Director and Best Playwright.

In addition, Stefanie Johnsen, one of our regular guest artists (who worked with us on Krampus and An Ideal Husband), was named Best Designer and Improvised Jane Austen (who worked with us on Gingerbread Grindhouse and will be featuring in our upcoming Holiday Cabernet) was named Best Improv Group.

Congratulations to all the winners!

Only 5 Days left to vote Ghostlight as one of the Best of Chicago

Voting ends at noon on Monday, October 21, for the Chicago Reader’s Best of Chicago 2019 poll. Ghostlight is excited to be nominated in two categories: Best Established Theater Company and Best Off-Loop Theater Company.

We'd be honored if you would follow this link to vote for us. And you can ask your friends and family to do so as well, as there are no restrictions on voting.

Please note: You don’t have to fill out all the categories if you’re only interested in voting for a few of them, however you DO have to go to the final page (About You) and hit the Finish button for your vote to count.

In addition, a number of our collaborators and Ensemble members are nominated as well.

Our Co-Artistic Director Maria Burnham is nominated for both Best Director and Best Playwright.

Stefanie Johnsen is nominated for Best Designer. Stefanie designed the costumes for our production of An Ideal Husband.

And Improvised Jane Austen is nominated for Best sketch/improv troupe. Ensemble Member Holly Robison is a member of IJA and the group has performed at a number of our past events.

In addition, Carbon Arc Bar, which hosts our Live Movie Reading Series is up for Best Cinema Bar.

Thanks so much for your vote! You are what’s truly Best about Chicago!

Ghostlight is a finalist for Best of Chicago 2019!

Ghostlight is honored and excited to be nominated in two categories for the Reader's Best of Chicago 2019: Best established theater company and Best off-Loop theater company.

We'd love if our supporters would follow this link to vote for us. And you can ask your friends and family to do so as well, as there are no restrictions on voting.

Please note: You don’t have to fill out all the categories if you’re only interested in voting for a few of them, however you DO have to go to the final page (About You) and hit the Finish button for your vote to count.

While you're voting for us, please consider also these other Ghostlight affiliated folks: 

Our Co-Artistic Director Maria Burnham is nominated for both Best Director and Best Playwright.

Stefanie Johnsen is nominated for Best Designer. Stefanie designed the costumes for our production of An Ideal Husband.

And Improvised Jane Austen is nominated for Best sketch/improv troupe. Ensemble Member Holly Robison is a member of IJA and the group has performed at a number of our past events.

In addition, Carbon Arc Bar, which hosts our Live Movie Reading Series is up for Best Cinema Bar.

We appreciate the continued support of the community and we’re so thrilled to be a finalist for Best of Chicago.

Ghostlight announces change in artistic leadership

Maria Burnham

Miona Lee

Ghostlight announced today that Ensemble members Miona Lee and Maria Burnham have taken over as co-artistic directors from Holly Robison, who has served as an artistic director since the company was founded in 2016. Robison remains with the Ensemble as a producing director.  

Both Burnham and Lee are founding members of the company and veterans of the Chicago theatre scene. Lee previously served as Literary Manager for the company and Burnham as the Marketing and Communications Director. The pair most recently co-directed Ghostlight’s summer show for young audiences, The Selfish Giant.

Full bios for both women can be found in the About section on the Ghostlight website.

Before stepping down, Robison helped guide the new season selection, which focuses on strong, female characters. 

More about the announcement and the new Ghostlight season can be found here.

Ghostlight Ensemble puts women front and center in its third season

Ghostlight Ensemble announced its Season 3 lineup, including a staged reading of a little-produced World War I-era play, a play festival with new works for young audiences and a Shakespearean comedy that takes place in a living room – quite literally.

The company also announced a change in leadership with Ensemble members Miona Lee and Maria Burnham taking over as co-artistic directors from Holly Robison, who has served as an artistic director since the company was founded in 2016. Robison remains with the Ensemble as a producing director.  

Both Burnham and Lee are founding members of the company and veterans of the Chicago theatre scene. Lee previously served as Literary Manager for the company and Burnham as the Marketing and Communications Director. The pair most recently co-directed Ghostlight’s summer show for young audiences, The Selfish Giant.

“Holly has been an incredible Artistic Director for Ghostlight’s initial seasons. Making a mark in a city full of so many magnificent theater companies is no small feat and she’s done a fantastic job guiding us,” Lee said. “I hope to continue pushing us in the direction of creating thought-provoking works.”

“I think our leadership will be a natural progression from the foundation Holly laid for this company,” added Burnham. “We will continue to push for works that challenge the status quo, that encourage new voices, and new stories and that shine light in places where darkness has allowed ignorance to grow. And we will also continue to tell great stories in unique ways.”

Full bios for both women can be found here.

Before stepping down, Robison helped guide the new season selection, which focuses on strong, female characters. 

“I am so honored to have been a Founding Member and Artistic Director for Ghostlight Ensemble,” Robison said. “It has truly been a wonderful, challenging, and rewarding few years. I’m so proud of the work Ghostlight has produced, and even more excited about the work ahead, especially in our coming season, which we like to call our year of Strong Female Leads. 

“While I look forward to staying on as Producing Director and directing our immersive spring production of Much Ado About Nothing, I’m also so thrilled to be handing the reins over to Maria Burnham and Miona Lee as Co-Artistic Directors. In the season of Strong Female Leads, what could be more fitting than these two fierce females leading our company? They are both great artists and great leaders, and I can’t wait to see where they take Ghostlight in the coming years. Thanks to all the Ghostlight Company Members, Artistic Associates, collaborators, and supporters for a great few years as Artistic Director!”

Ghostlight will begin its third season in October with a staged reading of the Bayard Veiller play, The Thirteenth Chair, a turn-of-the-century thriller set during a séance. The reading will be directed by Ghostlight Managing Director Chad Wise.  

The Thirteenth Chair, written in 1916, takes place at the home of the wealthy Crosby family. But the phony séance turns out to be the scene of a very real murder. All the doors and windows are locked and the murder weapon can’t be found. How will the real murderer be uncovered?

The reading takes place October 18 and 19 at 7:30 p.m. and October 20 at 2:30 p.m. at Vagabond School of the Arts (4001 N. Ravenswood Ave, Suite 503B, Chicago).    

In February, the company will continue its Nightlight young audiences series with a curated festival of short plays by playwrights from around the country. The plays, geared towards children 12 and under, will all have one unifying feature – strong female characters, continuing the theme of the season. Plays are currently being solicited and script selection will be made in early November. Playwrights interested in submitting to the festival can find more details on the Ghostlight website.

Ghostlight will round out the season in the spring of 2020 with Shakespeare’s beloved romantic comedy, Much Ado About Nothing. Audiences will be invited into Leonato’s Albany Park home to witness firsthand the merry war between Benedick and Beatrice, as well as the less merry machinations of Don John, as this immersive production brings guests, not to a theater, but to a condo on Chicago’s westside. The production will be directed by Holly Robison.

“This season is all about empowerment – from the astute Madame Rosalie La Grange to the outspoken Beatrice – these ladies are not afraid to take charge of their situations,” Lee said. “Nightlight is inspiring our younger audiences as well, with our festival of short plays chock full of strong female and non-binary characters.”

In addition, the company will once again host the Holiday Cabernet – an evening of holiday classics (or not-so-classics) by favorite G.E.T. performers, emerging artists and surprise guests in a cabaret-style setting with an M.C. who overindulges in the holiday spirits. The Cabernet takes place at 8 p.m. on December 14 at Vagabond School of the Arts.

Ghostlight also will continue its popular Live Movie Reading Series throughout the year at Carbon Arc Bar & Board, located in the Davis Theater. Next up in the series is: You and Me and Five Bucks: A Live Reading of Reality Bites. The reading, celebrating the 25th anniversary of this quintessential Gen X film, takes place at 7:30 p.m. Monday, August 28, at Carbon Arc (4614 N. Lincoln Ave., Chicago).

Find out more about Ghostlight Ensemble and the entire 2019-2020 Season at GhostlightEnsemble.com.

Ghostlight Ensemble is a registered 501(c)3 nonprofit theatre whose mission it is to ask questions that challenge the status quo through timeless stories, immersive environments and unconventional staging.

In A World Where Trees Talk And Giants Walk, Why Not A Set That Lives And Breathes?

In Ghostlight Ensemble’s latest production, actors throw their whole selves – literally – into telling the story of a giant who brings on a perpetual winter in an effort to keep his land to himself. The Selfish Giant, which opens June 8, is a physical theatre reimagining of the Oscar Wilde short story of the same name.

Weaving movement and words into a highly physical form of storytelling, this intimate production tells the tale of an angry giant who builds a wall to keep children off his land, but discovers the perils of isolation and the negative consequences of selfishness.

“The themes of this story, originally published in 1888, resonate with modern audiences, tackling issues that we are still very much grappling with,” said Maria Burnham, the playwright and a co-director of the production. “The story is almost too relevant.”

This production removes the religious overtones of Wilde’s original short story and replaces it with a morality tale that focuses on character redemption and the power of love. It also moves the story off the page by relying solely on the actors who are telling it, illustrating to the audience another theme of the story – how much better we can be when we all work together.

The adaptation uses a chorus to embody human characters and mythical beasts. The actors build the world of trees, birds, benches and beasts with their bodies.

“Physical theatre is really much more about, not a singular person, but what a group can provide you. What can we build together as opposed to one person standing and saying ‘Hey I’m a giant’ or ‘I’m a tree’,” said Miona Lee, co-director and movement choreographer for the production. “The story itself is very much about inclusiveness and the way we’re building our world as well is really inclusive.”

The Selfish Giant was part of a collection of stories for children by Oscar Wilde, The Happy Prince and Other Tales, first published in May 1888. In the story, the selfish giant builds a wall around his beautiful garden to keep children out. By doing so, he creates a perpetual winter in the garden, because no other season wanted to be part of his selfish endeavor. Then one morning, a special child brings spring back, and the giant’s heart melts along with the snow.

The Selfish Giant stars Jean E. Burr as Lydia and Tamsen Glaser, Molly Gloeckner, Sophia Hail, Nate Hall, Sarah-Lucy Hill, Song Marshall, Daniela Martinez, Maggie Blair Smith and Zoe Savransky as a chorus of characters.

The show was crafted to appeal to all ages and its weekend runs are perfect for families looking for live, daytime entertainment. The Selfish Giant runs June 8-30 on Saturdays at 1 p.m. and Sundays at 11 a.m. at Otherworld Theatre in the Lakeview neighborhood of Chicago (3914 N. Clark St., 60613) Tickets are on sale now: $10 adults, $5 children 12 and under, or $25 family of four.

The Selfish Giant is part of Ghostlight’s summer Nightlight series.

Nightlight is Ghostlight’s summer young audience series with original, adapted and forgotten plays geared toward children and the adults who love them. Ghostlight believes theatre can be a beacon for children, letting them know they aren’t alone in the world, giving them a sense of security and revealing the truth that in stories they can be anything they want to be. You’re never too young – or too old – for a nightlight.

Auditions Announced for 'The Selfish Giant'

Ghostlight Ensemble announces auditions for our summer show The Selfish Giant, written by Maria Burnham, directed by Maria Burnham and Miona Lee and based on Oscar Wilde’s short story of the same name.

The Selfish Giant is part of our Nightlight young audiences series and illustrates the perils of isolation and the negative consequences of selfishness, but it also teaches us that it is never to late for redemption and for love.

Character Descriptions:
Seeking a strong, ethnically diverse cast of all genders, ages, shapes and sizes, who love a good story and who have an imagination to rival any 5-year-old. Additionally, actors with strong movement backgrounds are encouraged to audition. This production will use a chorus of actors to embody not just the human characters in the story, but the mythical ones, as well as inanimate objects. This is NOT a dance piece. It is physical theater that relies almost completely on the ensemble of actors telling the story with their bodies and voices.

Material To Prepare:
Please submit your headshot and resume to Jean, and she will be in touch with sides and an audition appointment. Dress for movement and bring your sense of play.

Performance Dates:
Saturdays at 1 p.m. & Sundays at 11 a.m., June 7 to June 30 at Otherworld Theatre, 3914 N Clark St, Chicago, IL 60613.

Auditions:
6-11 p.m. on Wednesday, March 13

***Please indicate your availability during this window in your email.***

Callbacks:
9 a.m. to 2 p.m. on Saturday, March 16

You MUST be available for callbacks. If you are not available for callbacks, do not submit to this audition. However, you do not need to be available for this entire time.

Auditions and call backs will be held at Otherworld Theatre.

Rehearsals will be scheduled around cast availability taking place 3 to 4 times a week during weeknights and weekends. However, as this is an ensemble production utilizing the entire chorus to tell the story, all actors will be called for all rehearsals. If you have extremely limited availability during April and May, we kindly ask that you do not submit.

To submit:
Send your headshot and resume to Jean at casting@ghostlightensemble.com.

Auditions Announced for 'The Princess Without Pots'

Ghostlight Ensemble announces auditions for our summer show The Princess Without Pots, written and directed by Maria Burnham.

The Princess Without Pots is geared toward young audiences and shows us a world in which fighting like a girl is something everyone aspires to do.

Characters Descriptions:
Seeking a strong ethnically diverse cast of all genders, ages, shapes and sizes, who love a good story and who have an imagination to rival any 5-year-old.

Material To Prepare:
Please submit your headshot and resume to Jean, and she will be in touch with sides and an audition appointment. Bring your sense of play.

Performance Dates:
Saturdays at 11 a.m. & Sundays at 1:30 p.m., June 9 to July 1 in the North Center neighborhood of Chicago.

Auditions:
7-10 p.m. on Tuesday, March 27
7-10 p.m. on Wednesday, March 28

Please indicate your preferred date and time in your email.

You must be available for callbacks on Thursday, March 29, which will be held between 6:30 to 10 p.m. You do not need to be available for this entire time.

Auditions and call backs will be held at Theatre Momentum's Pendulum Space (1803 W Byron St, Chicago).

Send your headshot and resume to Jean at casting@ghostlightensemble.com.

Ghostlight featured on Chicago on Stage

Ghostlight was recently lucky enough to sits down with Karen Topham (aka chicagodramagirl) of Chicago on Stage and talk about our origin and what made us think we could make it in the crowded Chicago theatre scene.

According to the League of Chicago Theatres, there are about 200 theatre companies in the city of Chicago. Wikipedia also lists about this many, as well as thirty long-standing companies that are now defunct. And that doesn’t even begin to include the multitudes of companies that have appeared for a show or three only to vanish into the competitive haze of the Chicago theatre community, which is, without doubt, one of the most incredible live theatre markets in the country, but also one of the most unforgiving.

Amid this whirl of dramatic achievement and failure, it must take a certain kind of people with a specific kind of audacity to start a whole new company from the ground up, yet that is precisely what Holly Robison and Maria Burnham, late of Strangeloop Theatre, and Chad Wise, founding member of New Millennium Theatre, and seven other founding members including co-artistic director Michael Wagman, are doing with Ghostlight Ensemble Theatre.

Read the entire article here.